Avatar: The Last Airbender (Avatar: The Legend of Aang in some regions) is an American animated television series that aired for three seasons on Nickelodeon. The series began airing in February 2005 and concluded in July 2008. Avatar: The Last Airbender is set in an Asiatic-like world in which some people can manipulate the classical elements with psychokinetic variants of the Chinese martial arts known as 'bending'. The series is presented in a style that combines anime with American cartoons and relies on the imagery of East/South Asian, Inuit, and New World societies. It follows the protagonists, 12-year-old Aang and his friends, who must bring peace and unity to the world by ending the Fire Lord's war with the rest of the world.

The series was commercially successful and was acclaimed by audiences and critics, who praised its art direction, humor, cultural references, characters, and themes. It was nominated for—and won—Annie Awards, Genesis Awards, a Primetime Emmy Award, and a Peabody Award. The first season's success prompted Nickelodeon to order a second and third season. Merchandising for the series consisted of action figures, a trading card game, three video games, stuffed animals distributed by Paramount Parks, and two Lego sets. An art book was published in June 2010. The complete series was released on Blu-ray on June 5, 2018 for the 10th anniversary of season 3's finale.^[3]

The series inspired a critically panned but financially successful live-action film, The Last Airbender, directed by M. Night Shyamalan and considered one of the worst movies ever made. An animated sequel series, The Legend of Korra, aired from 2012 to 2014. A new live-action remake of the series by its original creators to be produced for Netflix was announced in September 2018.^[4]

• 1Series overview
• 2Development
• 3Other media
• 4Reception

Series overview

Setting

Avatar: The Last Airbender is set in a world—adjacent to a parallel spirit world—that is home to humans and hybrid animals. Human civilization is divided into four nations, named after the four classical elements: the Water Tribes, the Earth Kingdom, the Fire Nation, and the Air Nomads. Each nation has a distinct society in which select people, known as 'benders' (waterbenders, earthbenders, firebenders and airbenders), have the ability to telekinetically manipulate and control their nation's element using martial arts. The Avatar is the only person with the ability to bend all four elements.

The Avatar, who may be male or female, is an international arbiter whose duty is to maintain harmony among the four nations, and act as a mediator between humans and spirits. When the Avatar dies, their spirit is reincarnated into the next Avatar, who will be from the next nation in a set order that is known as the Avatar cycle: Fire Nation, Air Nomads, Water Tribe, and Earth Kingdom. An Avatar is required to master each bending art, beginning with the element of their home nation, and proceeding to learn the others in the order of the Avatar cycle, starting at the age of 16. Avatars also possess the ability to enter a condition known as the Avatar State, in which they gain the knowledge and abilities of all past Avatars. Although it is when they are most powerful, if an Avatar were ever to be killed while in the Avatar State, the reincarnation cycle would end and the avatar would never again be reborn.

Synopsis

More than a century before the events of the series begin, Fire Lord Sozin, ruler of the Fire Nation, planned a world war to expand his nation's territory and influence. He was prevented from carrying out his plans by Avatar Roku, who was born in the Fire Nation. After Roku's death, the Avatar was reincarnated as an airbender named Aang. Because the Avatar was now a child, Sozin saw his chance and proceeded with his militant plans. At the age of twelve, Aang learned about his avatar status because of the threat of Sozin's war. Afraid of his new responsibilities and of separation from his mentor Gyatso, he fled his home on his flying bison, Appa. Aang was forced into the ocean by a storm; he entered the Avatar State and encased himself and Appa in suspended animation in an iceberg near the South Pole for one-hundred years. Sozin, knowing the avatar's reincarnation cycle mandated an Air Nomad was the new Avatar, carried out a genocide against the Air Nomads during the passage of a once-a-century comet that increased the firebenders' power, and continued his world conquest.

In the present day, as the Fire Nation continues its war against the other nations, Katara, a fourteen-year-old waterbender of the Southern Water Tribe, and her older brother, Sokka, find and revive Aang and Appa. Aang learns about the war, and the siblings join him to reach the Northern Water Tribe at the North Pole so he and Katara can learn waterbending. Aang's return attracts the attention of Prince Zuko, the exiled son of the current Fire Lord Ozai, who pursues them, accompanied by his uncle Iroh. Aang is also pursued by Zhao, a Fire Nation admiral who intends to win Ozai's favor and rob Zuko of his redemption. En route to the North Pole, Aang learns about the genocide against his people when he visits the ruins of the Southern Air Temple. During the winter solstice, Aang meets the spirit of his predecessor, Avatar Roku, and comes to terms with his responsibilities. With the Northern Water Tribe, Aang and Katara learn advanced waterbending from Master Pakku; Sokka falls in love with the chief's daughter, Princess Yue. Zhao's navy lays siege to the tribe, seizing the mortal forms of the ocean and moon spirits—the source of waterbending—and causing a lunar eclipse. Zhao kills the moon spirit to deprive the waterbenders of their abilities but Aang joins with the ocean spirit to drive off the enemy fleet while Yue sacrifices her life to revive the moon spirit. When Ozai hears about his older brother Iroh's resistance to Zhao, he sends his daughter Azula to capture Iroh and Zuko.

After leaving the Northern Water Tribe, Katara continues teaching Aang waterbending while the group searches for an earthbending teacher. They meet Toph Beifong, a twelve-year-old, blind earthbending prodigy who wants independence from her upper-class family. Pursued by Princess Azula, Zuko and Iroh lead new lives in the Earth Kingdom as wanderers and refugees, settling in the capital city Ba Sing Se. At a library guarded by the spirit Wan Shi Tong, Aang and his group learn an imminent solar eclipse could let them stop the Fire Nation before Sozin's Comet arrives. They journey to Ba Sing Se to inform the Earth King of this information. In the city, they find that the Earth King Kuei is a puppet ruler, manipulated by Long Feng, leader of the Dai Li secret police. After Aang's group exposes Long Feng's political machinations, Toph is captured but escapes by learning to bend metal. The Dai Li join Azula to instigate a coup d'état of Ba Sing Se, and Zuko, who has spent his time in Ba Sing Se trying to come to terms with his identity, sides with his sister Azula. During a face off in the catacombs underneath the ancient city, Azula nearly kills Aang, forcing the protagonists to retreat with help from Iroh and leaving the Earth Kingdom under the control of the Fire Nation.

Aang emerges from a coma to find his friends and allies disguised as soldiers on a Fire Nation ship, preparing to invade the Fire Nation capital during the solar eclipse. The invasion is at first successful but Aang and his friends cannot find Ozai and are forced to retreat. Zuko learns about his father's intention to destroy the Earth Kingdom during the return of Sozin's Comet; he begins to regret his decision, and abandons the Fire Nation to join Aang and teach him firebending. As the comet approaches, Aang, a pacifist, wrestles with the possibility that he will have to kill Ozai to end the war. As he, in seclusion, consults the spirits of his predecessors for advice, Katara and the others encounter Iroh, who is leading a secret society called the Order of the White Lotus. The Order liberates Ba Sing Se. Sokka, Toph, and the warrior Suki attack the Fire Nation's airships, while Zuko and Katara confront Azula to prevent her from being crowned as the new Fire Lord. As the comet arrives, Aang confronts Ozai but cannot get the upper hand until Ozai triggers Aang's connection to the Avatar State. Aang strips Ozai of his firebending powers. Zuko is crowned the new Fire Lord and arranges an armistice, establishing peace in the world.

Episodes

The series consists of sixty-one episodes. The first episode—an-hour-long premiere—aired on February 21, 2005, on Nickelodeon.^[5] The series concluded with a two-hour television movie broadcast on July 19, 2008.^[6] Each season of the series is known as a 'book', in which each episode is referred to as a 'chapter'. Each book takes its name from one of the elements Aang must master: Water, Earth, and Fire.^[5] The show's first two seasons each consists of twenty episodes and the third season has twenty-one. The entire series has been released on DVD in regions 1, 2 and 4.^[7]

Development

Conception and production

Avatar: The Last Airbender was co-created and produced by Michael Dante DiMartino and Bryan Konietzko at Nickelodeon Animation Studios in Burbank, California. Its animation was mostly done by South Korean studios JM Animation, DR Movie, and MOI Animation. According to Konietzko, the series was conceived in early 2001 when he took an old sketch of a balding, middle-aged man and imagined the man as a child. He drew the character herding bison in the sky and showed the sketch to DiMartino, who was watching a documentary about explorers trapped at the South Pole. Konietzko described their early development of the concept; 'There's an air guy along with these water people trapped in a snowy wasteland .. and maybe some fire people are pressing down on them'.^[8] The co-creators successfully pitched the idea to Nickelodeon vice-president and executive producer Eric Coleman two weeks later.^[9]

The series was introduced to the public in a teaser reel at Comic-Con 2004,^[10] and premiered on February 21, 2005.^[11]

In an interview, Konietzko said: 'Mike and I were really interested in other epic 'Legends & Lore' properties, like Harry Potter and Lord of the Rings, but we knew that we wanted to take a different approach to that type of genre. Our love for Japanese anime, Hong Kong action and kung fu cinema, yoga, and Eastern philosophies led us to the initial inspiration for Avatar: The Last Airbender.'^[12]

Influences

The series is notable for borrowing extensively from East Asian art and mythology for its universe. Its creators employed cultural consultants Edwin Zane and calligrapher Siu-Leung Lee to help determine its art direction and settings.^[13][14] Its character designs are influenced by Chinese art and history, Hinduism, Taoism and Buddhism, and Yoga.^[15][13]Jeremy Zuckerman and Benjamin Wynn composed the series' music and sound; they experimented with a wide range of instruments, including the guzheng, pipa, and duduk, to match the show's Asia-influenced setting.^[16] The art style of the fictitious locations used in the series are based on real locations in Asia. Sites such as the Forbidden City and the Great Wall of China in Beijing were inspirations for the Earth Kingdom city of Ba Sing Se,^[17] and Water Tribe locations were based on Inuit and Sireniki cultures.^[18] According to writer Aaron Ehasz, early Fire Nation designs were based on Japanese culture. To avoid accidentally making broad statements, they redesigned many settings and peoples to be more 'broadly inspired'.^[18] For the final design, the creators went with a more Chinese style for the Fire Nation's clothing and architecture.^[19] For instance, the Fire Temple was based on the Yellow Crane Tower, as its flame-like architectural elements were a perfect motif for the Fire Nation architecture according to the creators.^[20]

The fighting styles employed by the show's characters are derived from Chinese martial arts, for which the film-makers employed Sifu Kisu of the Harmonious Fist Chinese Athletic Association as a consultant.^[21] Each fighting style is unique to the 'benders' who use them or characters who are aligned to a certain element. For example, practitioners of 'waterbending' use movements influenced by T'ai chi and focused on alignment, body structure, breath, and visualization. Hung Gar was the inspiration for practitioners of 'earthbending', and was chosen for its firmly rooted stances and powerful strikes as a representation of the solidity of earth. Northern Shaolin, which uses strong arm and leg movements, was chosen to represent 'firebending'. Ba Gua, which uses dynamic circular movements and quick directional changes, was used for 'airbending'.^[22] The Chu Gar Southern Praying Mantis style can be seen practiced by the earthbender Toph, who develops a unique fighting style as a result of her blindness.^[23] Asian cinema influenced the presentation of these martial-art bending moves.^[8]

Themes

The series explored many concepts rarely touched on in western children's television shows,^[18] including issues relating to war, genocide, and imperialism, gender discrimination and female empowerment, marginalization and oppression, and the philosophical questions surrounding fate and destiny.

The show is set during a period where the entire world is engulfed in an imperialistic war initiated by the Fire Nation. While war is a constant backdrop, the show depicts these effects through the eyes of common people—the oppressed Earth Kingdom citizens as well as brainwashed Fire Nation schoolchildren—to show how war makes victims of everyone.^[18] And while the Fire Nation is presented as the instigator of violence, the show also depicts the systemic inequality experienced by residents in the Earth Kingdom city of Ba Sing Se as well as the nefarious activities of the city's secret police. These situations show the corrupting nature of power and the nuances of good and evil.^[18] The show introduces viewers to genocide early on when protagonist Aang visits his former home in the Southern Air Temple. He arrives to discover his people have been massacred, and allows him to display a range of emotions, from rage to loss.^[24]

The character Zuko and his relationship with his father and Uncle Iroh is the series' main redemption arc and represents the show's message that destiny and fate are not binding or set by other people, but can be changed.^[25] In season one, he struggles to conform to the destiny and path determined by his father,^[18] but Iroh prods him, asking, 'who are you, what do you want?'^[26] The show also represents a diverse cast of characters in order to tackle the issue of marginalization. For example, in introducing a blind character like Toph and a paraplegic boy like Teo, the show depicted characters with vulnerabilities overcoming their physical and societal limitations.^[18] This is also true when it comes to the show's female characters. For example, female protagonist Katara faces systemic sexism when she reaches the Northern Water Tribe to learn waterbending. In another instance, her brother, Sokka is initially dismissive of the all-female Kyoshi Warriors, but learns to respect and appreciate their skills.^[18] According to Kirk Hamilton of Kotaku, these themes represent the show's message that it's more important to be yourself than to hew to the roles society expects of you.'^[26]

Other media

Books

Several books based on the show have been published. Dark Horse Comics published an art book titled Avatar: The Last Airbender – The Art of the Animated Series on June 2, 2010, with 184 pages of original art from the series.^[27] Several comic-book short stories were published in Nickelodeon Magazine, and Dark Horse published Avatar: The Last Airbender – The Lost Adventures—a collection of these and new comics—on June 15, 2011.^[28]

Dark Horse published a graphic-novel series by Gene Yang that continues Aang's story after the Hundred Years' War. Avatar: The Last Airbender – The Promise, published in three volumes in 2012, explores the fate of the Fire Nation colonies that become The Legend of Korra's United Republic. A second set of three comic books, Avatar: The Last Airbender – The Search, focuses on Zuko and Azula, and the fate of their mother Ursa.^[29] The third set, Avatar: The Last Airbender – The Rift, shifts the focus to Aang, the creation of Republic City, and Toph's relationship with her family.^[30] The Rift was followed by Avatar: The Last Airbender – Smoke and Shadow about a resistance force in the Fire Nation against Fire Lord Zuko, who at the end of the original series assumed the throne.^[31] The fifth graphic novel was Avatar: The Last Airbender – North and South, which follows the events of Smoke and Shadow and is about Katara and Sokka returning to the Water Tribe to see various changes to their homeland.^[32] The next planned graphic novel is titled Imbalance and is planned to be released in October 2018. The series explores the emerging conflict between the benders and non-benders that becomes the center for the conflict in the first season of the sequel the Legend of Korra. Unlike the previous five books it is will not be written by Gene Yang.^[33]

A two-part young adult novel series focusing on Avatar Kyoshi will be written by F. C. Yee and published by Abrams Children's Books. The first book, The Rise of Kyoshi, is scheduled to be published in July 2019.^[34]

Video games

A video-game trilogy based on the series has been released. The Avatar: The Last Airbender video game was released on October 10, 2006,^[35] and Avatar: The Last Airbender – The Burning Earth was released on October 16, 2007.^[36]Avatar: The Last Airbender – Into the Inferno was released on October 13, 2008.^[37]Avatar: Legends of the Arena, a massively multiplayer online role-playing game (MMORPG) for Microsoft Windows, was released on September 15, 2008, by Nickelodeon. Players can create their own character and interact with other players around the world.^[38]Avatar: The Last Airbender was THQ's bestselling Nickelodeon game in 2006 and was one of Sony CEA's Greatest Hits.^[39]

Film

The series' first season was the basis of the 2010 live-action film The Last Airbender, which was written and directed by M. Night Shyamalan. It was intended as the first of a trilogy of films, each of which would be based upon one of the three television seasons. The film was universally panned for its writing, acting, whitewashed cast, and Shyamalan's direction; it earned a 6% approval rating on Rotten Tomatoes as well as five Razzies at the 31st Golden Raspberry Awards, including Worst Picture.^[40][41][42] Although the film originally shared the title of the television series, the title The Last Airbender was used because producers feared it would be confused with James Cameron's film Avatar.^[43]The Last Airbender stars Noah Ringer as Aang, Nicola Peltz as Katara, Jackson Rathbone as Sokka, Dev Patel as Zuko, and Shaun Toub as Iroh.^[40]

Sequel

The Legend of Korra, a sequel series to Avatar: The Last Airbender, premiered on Nickelodeon on April 14, 2012.^[44] It was written and produced by Michael Dante DiMartino and Bryan Konietzko, the creators and producers of the original series.^[45] The show was initially titled Avatar: Legend of Korra, then The Last Airbender: Legend of Korra; its events occur seventy years after the end of Avatar: The Last Airbender.^[46] The series' protagonist is Korra, a 17-year-old woman from the Southern Water Tribe who is the incarnation of the Avatar after Aang's death.^[44]

Live-action remake

Netflix announced in September 2018 that a 'reimagined' live-action remake of Avatar was to start production in 2019. The series' original creators, DiMartino and Konietzko, are to be the executive producers and showrunners.^[4] They said that they intended to adapt the series 'with a culturally appropriate, non-whitewashed cast'.^[47] Jeremy Zuckerman, who composed music for the original show, will also be returning to do the music for the remake.^[48] The release is slated for 2020.^[49]

Reception

Ratings

Avatar: The Last Airbender was the highest-rated animated television series in its demographic at its premiere;^[50] an average of 3.1 million viewers watched each new episode.^[50] It had 5.6 million viewers for its highest-rated episode and was a highly rated part of the Nicktoons lineup beyond its 6-to-11-year-old target demographic.^[51][52] A one-hour special, The Secret of the Fire Nation, consisting of the episodes 'The Serpent's Pass' and 'The Drill', aired on September 15, 2006, and attracted 5.1 million viewers. According to the Nielsen Media Research, the special was the highest-rated cable-television program that week.^[53] In 2007, Avatar: The Last Airbender was syndicated to more than 105 countries and was one of Nickelodeon's top-rated programs. The series ranked first on Nickelodeon in Germany, Indonesia, Malaysia, the Netherlands, Belgium, and Colombia.^[54]

The four-part series finale, 'Sozin's Comet', had the series' highest ratings. Its first airing averaged 5.6 million viewers, 95 percent more than Nickelodeon had in mid-July 2007.^[55] During the week of July 14, it was the most-viewed program by the under-14 demographic.^[56][57] The finale's popularity was reflected in online media; Rise of the Phoenix King, a Nick.com online game based on 'Sozin's Comet', had almost 815,000 game plays in three days.^[58]IGN ranked the series 35th on its list of top 100 animated TV shows.^[59]

Critical response

Avatar: The Last Airbender received critical acclaim. Max Nicholson of IGN called it a 'must-watch' and described it as 'one of the greatest animated series of all time'.^[60] Nick Hartel of DVD Talk called the series a remarkable, 'child friendly show' whose legacy 'should endure for years to come'.^[25] Erik Amaya of Bleeding Cool described the series as 'impressive in its sophistication' and 'fantastic'.^[61] Henry Glasheen of SLUG Magazine called the series 'adventurous and exciting', a 'classic' and occasionally moving.^[62] According to Brittany Lovely of Hypable, it tells 'complex and beautiful' stories.^[63] Joe Corey of Inside Pulse described the series as an anime-action hybrid.^[64] Chris Mitchell of Popzara called it one of best shows to air on Nickelodeon, praising the series' background music and voice acting.^[65] D. F. Smith of IGN recommended it to viewers who enjoy action-adventure cartoons.^[66]

Rob Keyes of Screen Rant called the series 'one of the greatest cartoons ever made'.^[67] Mike Noyes of Inside Pulse recommended it to viewers who enjoy 'great' adventure.^[68] Gord Lacey of TVShowsonDVD.com called the series 'one of the finest animated shows ever'.^[69] According to Todd Douglass, Jr. of DVD Talk, adults will enjoy the series as much as children do.^[70] Joshua Miller of CHUD.com called it 'phenomenal' and 'one of the most well animated programs (children's or adult) American TV has ever had'; according to Miller, the series is heavily influenced by anime.^[71] Tim Janson of Cinefantastique described it as 'one of the most engaging animated shows produced'.^[72] Dennis Amith of J!ENT called the series 'one of the best animated TV series shown in the US by American creators'. Amith praised its sophisticated storylines, edginess, humor, and action.^[73] Franco 'Cricket' Te of Nerd Society described Avatar: The Last Airbender as 'one of the best cartoon[s]' he had ever seen, recommending the series for its characters and plot.^[74] Scott Thill of Wired called the series engaging and its setting, influenced by the Eastern world, 'fantastic'.^[75]Kirk Hamilton of Kotaku said the series should be part of the golden age of television, and recommended 'the sophisticated kids show' to others.^[26]

The show's writing and theme have been widely praised by critics. Michael S. Mammano of Den of Geek called the plot 'smartly-written' and praised the animation.^[76] Nicole Clark, writing for Vice News, wrote that the show's narrative depth was 'its greatest asset', and praised the story's 'emotional authenticity' and how it 'expose[d] very young viewers to darker subject matter, like genocide and authoritarianism, while giving them a framework for understanding these issues.'^[18] Jenifer Rosenberg of ComicMix liked the program's emphasis on family, friends, community, and education.^[77] According to Nick Hartel, the series touches on themes of 'genocide and self-doubt' without frightening younger children; rogue characters are redeemable, sending an important message that people can change and are not bonded to 'destiny'.^[25] Chris Mitchell called the plot 'fantastic'.^[65] D. F. Smith compared the series' plot to Japanese action cartoons, calling its tone and dialogue 'very American' and praising the humor leavening an epic, dramatic theme suitable for all ages.^[66] Rob Keyes also praised the series' humor and affecting plot: '[It] will capture your hearts'.^[67]

According to Mike Noyes, the series amalgamates elements of 'classic fantasy epics'.^[68] Todd Douglass, Jr. called the plot engaging, well-thought-out, and meaningful. The series' concept is 'well-realized', with a consistent story. Douglass wrote that the characters '[have] a real sense of progression', and praised the writers for their humor, drama, and emotion.^[70] Joshua Miller called the series surprisingly dark despite its 'silly' theme; the plot is livelier than that of Lost and, similar to the latter show, emphasizes character development. According to Miller, its writing was 'true adult levels of storytelling'.^[71] Tim Janson described the series as more than fantasy-and superhero-themed, seeing the characters as central and relateable.^[72] 'Cricket' Te praised the series' use of Buddhist philosophies and the diverse presentation of its themes of courage and life.^[74] Kirk Hamiltion praises the series for expressing towards its audience to be themselves and for its quiet progressivism.^[26]

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Critics also praised Avatar: The Last Airbender's character development, art, animation, and choreography; Eric Amaya enjoyed the expressive animation that complements the writing. According to Amaya, the elements were influenced by Hayao Miyazaki.^[61] Todd Douglass, Jr. called the character development interesting,^[70] while Nicole Clark wrote that the show 'managed to do what so few shows even today have: assemble a cast of characters that depicts the world as it is, with a range of identities and experiences.'^[18] Jenifer Rosenburg praised the series' portrayal of females as 'strong, responsible, [and] intelligent'.^[77] According to Joshua Miller, the bender characters' use of bending for everyday activities brings 'depth and believability' to the avatar world. Miller called the series' designs 'rich and immersive', with each nation having its own, detailed look. He praised the action scenes as 'well rendered', comparing the development of the avatar world to that of The Lord of the Rings, and the fight choreography as 'wonderful in its most minor details'.^[71] D. F. Smith enjoyed the series' painstaking backgrounds.^[66] 'Cricket' Te praised each episode's color palette and the choreography's combination of martial arts and magic.^[74] Nick Hartel criticized the animation, although he found it an improvement over previous Nickelodeon shows.^[25] Chris Mitchell called the animation fluid.^[65] 'Cricket' Te agreed, noting its manga influence.^[74] According to Brittany Lovely, non-bender characters in battle are 'overshadowed' by their bender counterparts.^[63] Joe Corey called the animation's action and environments a 'great achievement',^[64] and Rob Keyes praised the series' fight choreography.^[67] According to Kirk Hamilton, the action sequences in the series are amazing while being child-appropriate and exciting.^[26]

Awards and nominations

References

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External links

• Avatar: The Last Airbender on IMDb
• Avatar: The Last Airbender at the Big Cartoon DataBase

The Last Airbender is a 2010 American action-adventurefantasy film written, co-produced and directed by M. Night Shyamalan.^[7] Based on the first season of the Nickelodeonanimated television seriesAvatar: The Last Airbender, the film stars Noah Ringer as Aang,^[8] with Dev Patel as Prince Zuko, Nicola Peltz as Katara and Jackson Rathbone as Sokka. Development for the film began in 2007. It was produced by Nickelodeon Movies and distributed by Paramount Pictures.^[9] Premiering in New York City on June 30, 2010, it opened the following day in the rest of the US grossing an estimated $16 million.^[10][11]

The film was universally panned by critics, audiences and fans of the original animated series alike upon its release with many reviewers citing inconsistencies between the plot, screenplay and source material as well as deriding the acting, writing, casting and dialogue. The film's 3D conversion was also criticized. James Newton Howard's score received overwhelmingly positive reviews. The film swept the Golden Raspberry Awards in 2010, with five 'wins' including Worst Picture; the film is sometimes considered one of the worst ever made.^[12][13]The Last Airbender opened in second place at the box office behind The Twilight Saga: Eclipse. Produced on a $150 million budget, the film grossed $131 million domestically and $319 million worldwide. It is the fourth highest grossing Nickelodeon film, behind The SpongeBob Movie: Sponge Out of Water (2015), Teenage Mutant Ninja Turtles (2014), and The Adventures of Tintin (2011).^[2][6] The film was originally envisioned as the first in a trilogy of Last Airbender films each based on the three seasons of the show, but due to the unpopularity and the low profits of the first film, the planned trilogy was left in doubt for many years. In 2018, Michael Dante Dimartino and Bryan Konietzko announced a live-action remake of the animated series on Netflix, effectively ending any chance of future films.

• 3Production
• 5Marketing
• 6Release
• 7Reception

Plot[edit]

A century has passed since the Fire Nation declared war on the other 3 nations of Air, Water and Earth in their attempt to conquer the world. 15-year-old Sokka and his 14-year-old sister Katara, who belong to the Southern Water Tribe, discover an unusual iceberg. Breaking into the iceberg releases a beam of light and reveals a 12-year-old boy named Aang and his flying pet bison named Appa.

Zuko, a disgraced prince of the Fire Nation, detects the light from Aang's release and arrives at the Southern Water Tribe to demand the villagers hand over 'the Avatar': the only person capable of manipulating, or 'bending', all 4 elements of Air, Water, Earth and Fire. Aang surrenders himself to save the village, but escapes the Fire Nation ship and flies to Appa, brought by Katara and Sokka. The trio travel to the Southern Air Temple, where Aang learns he was in the iceberg for a century and that the Fire Nation wiped out the Air Nomads, including his guardian Monk Gyatso. In despair, Aang enters the Avatar State and finds himself in the Spirit World where he encounters a Dragon Spirit. Katara's pleas bring Aang out of the Avatar State.

Aang's group of companions arrive at an Earth Kingdom village controlled by the Fire Nation. When they are arrested and imprisoned, they incite a rebellion, battling and defeating the Fire Nation soldiers occupying the village. Aang tells Katara and Sokka that he only knows airbending and has yet to master the other three elements. They make their way to the Northern Water Tribe where Aang can learn from Water-bending masters.

During a side trip to the Northern Air Temple, Aang is betrayed by a peasant and captured by Fire Nation archers led by Commander Zhao. However, a masked marauder helps Aang escape. Zhao realizes that Zuko is the masked vigilante, and has a crossbowman fire a bolt that knocks Zuko out, but Aang uses his skills to escape with the unconscious Zuko. Aang watches over Zuko until morning, then leaves to reunite with Sokka and Katara. Zhao tries again to kill Zuko, but Zuko secretly survives and sneaks aboard Zhao's ship.

Upon arriving, Aang and company are welcomed by the citizens of the Northern Water Tribe, and Waterbending Master Pakku teaches Aang and Katara. The Fire Nation arrives and Zhao begins his attack while Zuko continues his independent search for the Avatar. After defeating Katara in battle, Zuko captures Aang, who reenters the Avatar State to search for the Dragon Spirit for help to defeat the Fire Nation. The Dragon Spirit advises him to let his emotions 'flow like water'.

Returning to his body, Aang battles Zuko until Katara freezes Zuko in ice, then leaves to join the battle. Iroh and Zhao make their way to a sacred cave where Zhao captures the Moon Spirit. Despite Iroh's pleas, Zhao kills the Moon Spirit to strip all the waterbenders of their abilities. Enraged by Zhao's sacrilege, Iroh reveals his mastery of firebending, frightening Zhao and his entourage out of the sacred cave. Princess Yue gives her life to revive the Moon Spirit. Zhao finds out Zuko survived and again attempts to kill him, but Zuko is saved by Iroh and Zhao is drowned by waterbenders. Recalling his life before being trapped in the ice, Aang enters the Avatar State and raises the ocean into a gigantic wall to drive the Fire Nation back.

The Fire Lord learns of the defeat, and tasks his youngest daughter Azula with preventing the Avatar from mastering Earth and Fire.

Cast[edit]

• Noah Ringer as Aang^[14]

An airbender who disappeared from public sight a hundred years ago. While chronologically one hundred and thirteen years old, Aang still retains his biological age of twelve. He is the latest incarnation of the Avatar Spirit. Though he is capable of bending all four elements, at the beginning of the film he has only learned to airbend.

• Dev Patel as Prince Zuko^[15]

Age sixteen. A Fire Nation prince who travels with his Uncle Iroh. The former heir to the throne, he was exiled by his father, Fire Lord Ozai, who caused him a facial scar following a battle with him and ordered to capture the Avatar (who had not been seen in almost a century, making the assignment a wild-goose chase) in order to regain his lost honor.

• Nicola Peltz as Katara^[14]

Age fourteen. A girl of the Southern Water Tribe and its last remaining waterbender. Since the death of her mother, Kya, she has served as the motherly figure in her family, and is no stranger to responsibility despite her young age.

• Jackson Rathbone as Sokka^[14]

Age fifteen. He is Katara's brother and a warrior from the Southern Water Tribe. He can be condescending, and has no waterbending abilities. He often takes up leadership roles by virtue of coming up with most of the workable plans and tactics.

• Shaun Toub as Uncle Iroh^[16]

Zuko's paternal uncle and the brother of Fire Lord Ozai. He is very easy-going and friendly, and often acts as a surrogate father to Zuko. Formerly a great general of the Fire Nation, personal tragedies led to his retirement, and the role of heir-presumptive passed to his younger brother. He is the only firebender shown in the film who is advanced enough to bend fire using only his ch'i.

• Aasif Mandvi as Commander Zhao^[16]

A hot-tempered Fire Nation Commander in pursuit of the Avatar. He is Zuko's principal rival. He has an obsession with libraries.

• Seychelle Gabriel as Princess Yue

The princess of the Northern Water Tribe, who was Sokka's romantic love interest. In a tragic turn of events, she sacrificed herself to save the water tribe and the balance of the planet, by turning into the moon.^[16]

• Cliff Curtis as Fire Lord Ozai

The mighty leader of the Fire Nation, the brother of Iroh, and the father of Prince Zuko and Princess Azula.

• Summer Bishil as Princess Azula

Age fifteen. She is the daughter of Fire Lord Ozai and sister to Prince Zuko. She appears once at the battle where Zuko refuses to fight and again at the end where she accepts the role as hunter of her older brother and uncle, and destroying the Avatar.

• Francis Guinan as Master Pakku

A waterbending master of the Northern Water Tribe, who taught Aang to waterbend.

• Randall Duk Kim as Old man in temple

An Earth Kingdom villager, who often visits the remains of the Northern Air Temple.

• Isaac Jin Solstein as Haru

He started the prison uprising by earthbending a pebble to the back of the lead Fire Nation soldier's head.

• Keong Sim as Tyro

He and other earthbenders in his occupied village agreed to be imprisoned in exchange for the non-benders being allowed to live in peace.

• John Noble as Dragon Spirit

A new composite character taking over the roles of Avatar Roku, Fang, Koh and Guru Pathik from the cartoon series.

Production[edit]

Development[edit]

According to an interview with the co-creators in SFX magazine, Shyamalan came across Avatar: The Last Airbender when his daughter wanted to be Katara for Halloween. Intrigued, Shyamalan researched and watched the series with his family. 'Watching Avatar has become a family event in my house .. so we are looking forward to how the story develops in season three,' said Shyamalan. 'Once I saw the amazing world that Mike and Bryan created, I knew it would make a great feature film.'^[17] He added he was attracted to the spiritual and martial arts influences on the show.^[18]

Avatar: The Last Airbender co-creators Michael Dante DiMartino and Bryan Konietzko voiced their opinion within an interview regarding Shyamalan writing, directing, and producing the film. The two displayed much enthusiasm over Shyamalan's decision for the adaptation, stating that they admire his work and, in turn, he respects their material.^[19] Producer Frank Marshall explained that they have high hopes to stick to a PG rating: 'I'm not even sure we want to get in the PG-13 realm.' Furthermore, Shyamalan said, 'A lot of the inspiration for the direction we took comes from a friend of mine. A Nathan Blackmer helped shape this Idea into the film it became. I took away a little bit of the slapsticky stuff that was there for the little little kids, the fart jokes and things like that..We grounded Katara's brother..and that really did wonderful things for the whole theme of the movie.'^[20] Brad Grey said that despite the director's career being inconsistent, he 'believed in [Shyamalan's] vision and that he could execute it,' adding that 'It's a bold step because he had to create a potential new franchise.'^[5] The studio was willing to spend $250 million in a trilogy of films, one for each season.^[21]The Last Airbender's budget wound up being $150 million, with later over $130 million being spent on marketing costs, making it Shyamalan's most expensive film.^[5] During production, the name Avatar was removed from the title to avoid confusion with the highly-successful 2009 film Avatar.

Casting[edit]

Shyamalan originally offered the roles of Aang to Noah Ringer; Sokka to Jackson Rathbone; Katara to Nicola Peltz; and Zuko to Jesse McCartney.^[22] In an interview with People, Shyamalan claimed that he did not want to make The Last Airbender without Nicola Peltz, 'I said that only once before in my career, and that was when I met Haley in The Sixth Sense auditions.'^[23]In February 2009, Dev Patel replaced Jesse McCartney, whose tour dates conflicted with a boot camp scheduled for the cast to train in martial arts.^[24][25]Katharine Houghton played 'Gran Gran', the grandmother of Katara and Sokka, and Seychelle Gabriel portrayed Princess Yue, another of Sokka's love interests and princess of the Northern Water Tribe.^[26] Isaac Jin Solstein played an earthbending boy.^[27] Comedian Aasif Mandvi played Commander Zhao, Cliff Curtis played Fire Lord Ozai, and Keong Sim was cast in the role of an Earthbender.^[28]

Ringer began practicing Taekwondo – the martial art and national sport of Korea – at the age of 10.^[29] His skills later garnered accolades, including the title of American Taekwondo Association Texas State Champion.^[29] He began shaving his head during his martial arts training to help cool off, which gave him the nickname 'Avatar' due to his resemblance to Aang from the animated series.^[29] When he heard about the film adaptation, he made an audition tape with his instructor and sent it to the filmmakers. He hadn't worked on a film before, but his resemblance to Aang – enhanced by painting a blue arrow on his already shaved head, swung him the role.^[29] Having not acted before, Ringer was required to attend acting school a month before filming commenced.^[29] Peltz was familiar with the character before submitting for the part of Katara, having faithfully watched Avatar: The Last Airbender, the animated series on which the film is based, with her younger twin brothers.^[29] She describes her character as being a big role model with young girls and women, 'She's really mentally and physically strong, strong-willed and -minded, but she's also caring and compassionate.. The movie has a lot of values, but it's also fun. It's fantasy, but it's also a really cool battle between good and evil.'^[29] She explained that she initially didn't know about Rathbone starring in the Twilight films until after she met him and said that working with Shyamalan was an amazing experience.^[29] Rathbone, who originally auditioned for the role of Zuko, was approached by Shyamalan to audition for the film.^[30] After waiting for six months, he received a call informing him that he was cast as Sokka.^[30] Rathbone stated that his favorite scenes were the fight sequences, which he prepared for by stickfighting.^[30]

Before Slumdog Millionaire was released, Patel auditioned for the role of Zuko by submitting a tape to the studio.^[31] Shyamalan called Patel personally to inform him that he got the part.^[31] Training for the film was intense, as he had to learn Wushu and different martial arts.^[31] Patel recalls fighting, punching, and throwing and said the experience was 'truly amazing.'^[31] While he was filming Slumdog in India, he would finish a take and turn one of the channels over to the animated series.^[31] Even though it is based on a cartoon, he wanted to bring as much of himself as possible to the character he was portraying.^[31]Shaun Toub, who was cast as Iroh, describes his character in the first film as 'loose' and 'free'.^[32] He compares Zuko's 'obsession' to his childhood memories and how kids are always looking for their parents' approval, saying that Zuko just wants his father's. 'He isn't necessarily bad, he just has a great deal of built up anger and forgets to consider others. I think people will understand that he's not bad, he's just angry and hurting because he really wants his father to love him, but his father is too busy with other things.'^[32] He says that Patel is an '18 year old with all this energy,' and that Patel was able to influence him into appreciating the business of filmmaking more.^[32] While comparing the animated series to the film, he says the film is much more serious.^[32] He attributed this change to the director trying to relate to every age group, rather than just kids.^[32]

Filming[edit]

Pre-production began in late 2008, while filming began in March 2009 in Greenland. After two weeks, the cast and crew moved to Reading, Pennsylvania, where production designers and special-effects crews worked for several weeks, preparing the local site for the film.^[33] A production team scouting the area found the pagoda on Mount Penn, which served as an ancient temple in the film.^[33] Reading mayor Tom McMahon explained that crews made road improvements and buried electrical lines surrounding the structure.^[33]

Filming also took place in Ontelaunee Township and at the William Penn Memorial Fire Tower in Pennsylvania after the production crew finished at the Pagoda. When asked about shooting the film in Reading, Pamela Shupp, vice president of Berks Economic Development said, 'They needed buildings to shoot all the interiors, and were looking for a group of buildings with high ceilings and specific column spacing. We showed them a number of buildings, but we couldn't come up with enough to meet their requirements. So the interiors will be shot in Philadelphia.'^[20][33]

Visual effects[edit]

With a film as technologically advanced as Avatar, the expectations of realistically throwing balls of fire and water were pushed to the limit on The Last Airbender.^[34]Pablo Helman, who previously worked on Star Wars: Episode II – Attack of the Clones, was the visual effects supervisor for the Industrial Light and Magic team on the film.^[34] He worked closely with Shyamalan, reviewing each scene and talking about the visual effects needed to tell the story, and ultimately worked with about 300 people to reflect the director's vision, who he said planned it all in a story-board book.^[34]

Industrial Light and Magic was posed with visualizing the elemental tribes of Air, Water, Earth, and Fire; most importantly creating the 'bending' styles of these elements.^[34] Additionally, they were required to animate creatures and enhance stunt work with digital doubles. 'The work was challenging,' shares Helman. 'We had to figure out what 'bending' is for fire, water, air and earth.'^[34] The project was started without the desired technology needed to create the effects. Rather than software, computer graphic cards were the basis for 'bending' the elements, allowing previews to be viewed more swiftly. This resulted in Shyamalan having to direct more than sixty takes before the effect was finished and lined up with his visions.^[34]

Due to reality-based expectations, fire and water were the hardest elements to effectively bend, and because of particle work which was unable to be rendered in hardware, earth bending also was difficult to create.^[34] With water, the variety in different scales required Helman and his team to create different techniques. The concept for air was derived from the animation of the television series.^[34] To create the air bending effect, visual effects art director Christian Alzman and digital matte department supervisor Barry Williams explained that seeing dust and snow particles, rather than seeing the air itself, helped shape the real world effect of bending the element. Before the bending effects could be applied though, the actor's movements had to be matched; Shyamalan therefore wanted each character's bending styles to be unique to fit with their unique personalities.^[34]

The challenge for fire didn't come with making it look realistic, but rather making the fire behave in an unrealistic way that would be believable to the audience.^[34] The film that inspired The Last Airbender's fire style was the sixth Harry Potter film, which was re-engineered to reflect two-dimensional simulations.^[35] Helman's team referenced images of flames being pushed through the air by giant fans for certain shots needed throughout the film. The team also considered using a meshed image of real and digital fire, but in the end, went with the richer, deeper texture of computer generated flame.^[35]

In matte paintings, this was the biggest show that Helman had ever done. The paintings had to be in 3D because the visual style included long duration shots in which the camera always moved.^[34] The climax, which was enacted on a 200 by 200 feet (61 m × 61 m) set, had to be incorporated with still of the landscapes shot in Greenland, as well as the low-angle lighting that was captured on location there.^[34] The camera was animated to get angles needed for different shots in the film by importing these stills into the computer. Multiple cameras were used to capture the different wire-work and animation that was used to create the creatures and many fight scenes within the film. In creating these creatures, the team referenced nature.^[34] In order for them to be believable, they looked for examples of the same size and weight as the animated character and then developed hybrids from different animals to make each species unique. This was done by observing actual animals to get a take on how they would act.^[34] Shyamalan's take on the personality of each creature also influenced the creation stage of the creatures. For example, the lemur Momo has flying mechanics based on a giant fruit bat. Other elements, such as texturing, hair or scale simulation, and light and shadow complimentary to the live action, were added to make the final animation appear as real as possible during the later stages of character development.^[34]

Paramount Pictures made an announcement in late April 2010, revealing that The Last Airbender would be released in 3D.^[36] This decision came after an increasing number of films being made or converted to 3D, such as Avatar, Alice in Wonderland and Clash of the Titans, made a decent profit at the box office.^[37] Although Helman stated that Shyamalan's way of shooting without fast edits and the film's visuals could lend itself to the 3D conversion well, James Cameron voiced his disapproval on any film being converted using this process, saying, 'You can slap a 3-D label on it and call it 3-D, but there's no possible way that it can be done up to a standard that anybody would consider high enough.'^[38][39] Despite this, Shyamalan opted to work with Stereo D LLC, the company who worked on James Cameron's own Avatar.^[36] The conversion process for the film cost between $5 million and $10 million, adding to the reported $100 million that already went into the film.^[37]

Music[edit]

In December 2008, James Newton Howard was announced as the composer for The Last Airbender.^[40] The film marks the seventh collaboration between Howard and M. Night Shyamalan, after the 2008 film The Happening. Howard had received acclaim for his work with Hans Zimmer on The Dark Knight.^[40] On May 13, 2009, producer Frank Marshall announced that Howard was recording music for the teaser trailer that was later released that summer;^[41] it was later confirmed by Frank Marshall that all of the film's trailers featured original music by Howard himself.^[42] The soundtrack, released by Lakeshore Records on June 29, 2010, required Howard to hire a 119-member ensemble.^[43] Running at about 66 minutes, it contains eleven tracks ranging from three to seven minutes, with a twelfth track, called 'Airbender Suite' running at nearly eleven minutes. Reviews for the score were overwhelmingly positive.^[43][44][45]

Casting controversy[edit]

The casting of white actors in the East Asian and Inuit-influenced Avatar universe, as well as the fact that the casting of the heroes and villains seemed to be backward racially from the show, triggered negative reactions from some fans marked by accusations of racism, a letter-writing campaign, and various protests.^[46][47] 'To take this incredibly loved children's series, and really distort not only the ethnicity of the individual characters but the message of acceptance and cultural diversity that the original series advocated, is a huge blow,' said Michael Le of Racebending.com, a fan site calling for a boycott of the martial-arts fantasy.^[48] As a result of the casting, the Media Action Network for Asian-Americans urged a film boycott for the first time in the organization's 18-year history. 'This was a great opportunity to create new Asian-American stars..I'm disappointed.' stated Guy Aoki, president of the organization.^[49]Film silat jadul indonesia full. After a casting call specifically looking for 'Caucasians and other ethnicities,' Shyamalan explained that 'Ultimately, this movie, and then the three movies, will be the most culturally diverse tent-pole movies ever released, period.' Furthermore, Paramount provided a statement about the casting choices, 'The movie has 23 credited speaking roles – more than half of which feature Asian and Pan Asian actors of Korean, Japanese and Indian descent. The filmmaker's interpretation reflects the myriad qualities that have made this series a global phenomenon. We believe fans of the original and new audiences alike will respond positively once they see it.'

Shyamalan commented on the issues regarding fans' perceptions of the casting in an interview with Washington Post columnist Jen Chaney, saying, 'Anime is based on ambiguous facial features. It's meant to be interpretive. It's meant to be inclusive of all races, and you can see yourself in all these characters..This is a multicultural movie and I'm going to make it even more multicultural in my approach to its casting. There's African-Americans in the movie..so it's a source of pride for me. The irony that [protesters] would label this with anything but the greatest pride, that the movie poster has Noah and Dev on it and my name on it. I don't know what else to do.'^[50] In this quote, Shyamalan's reference to Noah Ringer can be explained by Noah's self-identification of his ancestry as 'American Indian,' although critics of the film's casting have presumed that the actor is simply 'white' when making their complaints.

Rathbone was also one to dismiss the complaints in an interview with MTV, saying, 'I think it's one of those things where I pull my hair up, shave the sides, and I definitely need a tan. It's one of those things where, hopefully, the audience will suspend disbelief a little bit.'^[51] The controversy was poorly received by critics as well.^[52] Film critic Roger Ebert was one of the critical voices against the casting. When asked about casting a white cast to portray the characters, he said, 'The original series Avatar: The Last Airbender was highly regarded and popular for three seasons on Nickelodeon. Its fans take it for granted that its heroes are Asian. Why would Paramount and Shyamalan go out of their way to offend these fans? There are many young Asian actors capable of playing the parts.'^[53] Jevon Phillips of the Los Angeles Times noted that despite Shyamalan's attempts to defuse the situation, 'this is definitely not an issue that will fade away or be overlooked' and that this film exemplifies the need for a debate within Hollywood about racial diversity in its films.^[54]

In July 2013, series co-creator Bryan Konietzko responded to an online comment about skin color in The Legend of Korra. Konietzko wrote that his work on the two series 'speaks for itself which obviously does not include the gross misinterpretations and misrepresentations of our work in [Shyamalan's] work.'^[55]

Marketing[edit]

Promotion[edit]

The teaser trailer for the film was attached to Transformers: Revenge of the Fallen, released in theaters on June 24, 2009.^[56] The teaser trailer was also shown exclusively on the June 22, 2009 episode of Entertainment Tonight.^[57] The trailer shows Aang airbending in a temple which is being attacked by a multitude of Fire Nation ships. A trailer was to be released around Christmas 2009, but it was pushed back until February 2010 because not enough visual effects shots were completed.^[58][59] This trailer was attached to the first Percy Jackson & the Olympians: The Lightning Thief film released on February 12, 2010.^[60] A trailer was later released on March 25, 2010.^[61] It was then attached with How to Train Your Dragon. The last theatrical trailer is attached to Iron Man 2 which was released May 7, 2010.^[62]

The first TV spot aired during Super Bowl XLIV on February 7, 2010.^[63] It showed parts of the film that were not shown in the teaser trailer and had no diagetic dialogue, but merely narration. On February 10, the theatrical trailer was released online.^[64] It shows multiple scenes from the film and is an expanded version of the first TV spot. McDonald's sold Happy Meals to promote the film.

On February 9, 2010, Nickelodeon Consumer Products also debuted the upcoming line of toys based on The Last Airbender. It includes various 3​³⁄₄-inch action figures, as well as larger, action-enabled figures, costumes and other props. Among the toys featured in the line were figures based on Aang, Prince Zuko, Sokka, Katara, and a fully ride-able Appa the Sky Bison.^[65] 'We worked very closely with M. Night, the rest of the Paramount team and our in-house design team, along with our partner Spin-Master, to come up with the right assortment, the right size for these action figures and make sure we had representation of all the nations within the 'Airbender' series,' said Nickelodeon's Lourdes Arocho. The Last Airbender action figures are expected to be released in three 'waves'; wave one on June 1,^[66] wave two near the film's July release date, and wave three near the 2010 holiday season.^[65]THQ Studio Australia also developed a video game based on the film. Titled The Last Airbender, it was released on June 29, 2010 for the Wii and the Nintendo DS.^[67]

Graphic novels[edit]

Two original black-and-white graphic novels, entitled The Last Airbender Prequel: Zuko's Story and The Last Airbender, drawn in the manga style, were written by Dave Roman and Alison Wilgus. 'We're excited to be working with Nickelodeon to bring these great stories to the manga audience', says Dallas Middaugh, Associate Publisher of Del Rey Manga. 'Avatar: The Last Airbender has shown incredible crossover appeal with manga fans. The release of The Last Airbender movie and original tie-in manga gives us the chance to share completely new stories with Avatar fans looking for more about Aang, Zuko, and their favorite characters.'^[68] The second manga, The Last Airbender, illustrated by Joon Choi, was released on June 22, 2010. The plot, like the film, is a condensed version of the first season of the series.^[69]

The prequel, Zuko's Story, is co-written by Alison Wilgus and Dave Roman and illustrated by Nina Matsumoto and was released on May 18, 2010.^[70] The synopsis for the graphic novel was released in early 2010, 'When Prince Zuko dared to question authority, his father, Fire Lord Ozai, banished him from the Fire Nation. Horribly scarred and stripped of everything he held dear, Zuko has wandered the earth for almost three years in search of his only chance at redemption: the Avatar, a mystical being who once kept the four nations in balance. Everyone he encounters believes that this is an impossible task, as the Avatar disappeared a century ago. But Zuko stubbornly continues the search. He must regain his honor, so his quest is all he has left.'^[70]

Roman and Wilgus, who developed comics based on the series for Nick Magazine, consulted series creators Mike Dante DiMartino and Bryan Konietzko, and head writer for the show Aaron Ehasz while they were developing Zuko's Story.^[71] The four wanted to try a comic that would fit into with the continuity of the show. The prequel, though mostly associated with the film, was meant to be a prequel to the series.^[71] Roman explained, 'In a lot of ways, it's like an expanded origin. With the film and the series, there are differences and there are places where they split off, but the setup for both is exactly the same – so when you're introduced to the characters, that's the part where they're completely identical.' The prequel allowed the expansions of different details told in the series; for example, an episode called 'The Blue Spirit' in the series was seen in the film.^[71] However, since explaining everything that happened in that episode was hard to translate onto film, the prequel allowed for them to 'delve' into that specific story. What more, when asked about whether he answered some questions that were left open at the end of the series, Roman stated that, while he had a strong relationship with the show's creators and got their blessing for his project, it wasn't his plot to address.^[71]

Release[edit]

The Last Airbender was rumored to be released in the summer of 2010 before it received a formal release date of July 1, 2010.^[72] To avoid confusion with James Cameron's Avatar, the title was changed from Avatar: The Last Airbender to simply The Last Airbender.^[72] On June 16, 2010, it was revealed that the film would be released on July 1, 2010, and after questions about the definition of the release being limited or wide, was later confirmed by the studio to be a full nationwide release.^[7][73] The film premiered in New York City on June 30, 2010,^[11] and opened the following day in 3,169 theaters, against The Twilight Saga: Eclipse which also stars Jackson Rathbone.^[74]

Home media[edit]

The Last Airbender was released on DVD and Blu-ray on November 16, 2010.^[75] At the same time, a Blu-ray 3D version was also made available exclusively at Best Buy locations.^[76]The Last Airbender was re-released on DVD and Blu-ray on April 25, 2017.

The film has earned $48.7 million from DVD/Blu-Ray sales, with 1.6 million DVD's and 300,000 Blu-Ray discs sold as of December 2010.^[77]

Reception[edit]

Box office[edit]

The Last Airbender had grossed $131,772,187 in the United States, and $187,941,694 in other countries, making for a total of $319,713,881 worldwide.^[2]

On its opening day in the United States, The Last Airbender made $16,614,112, ranking fifth overall for Thursday openings.^[78] For its opening three-day, Fourth of July weekend, The Last Airbender accumulated a total of $40,325,019. The following Monday, it grossed $11,479,213. 54% of its total gross was from 3D presentations at 1,606 screens. On Thursday, July 1, 2010, its opening day, it debuted at #2 behind The Twilight Saga: Eclipse. It stayed #2 until Monday, July 5, 2010, when it went down to #3 now behind Eclipse and Toy Story 3. On July 9, it went down to #5 behind Despicable Me, The Twilight Saga: Eclipse, Predators, and Toy Story 3. By Friday, July 23, it was down to #9 behind Inception, Salt, Despicable Me, Ramona and Beezus, The Sorcerer's Apprentice, Toy Story 3, Grown Ups, and Eclipse.^[79]

Opening overseas in 923 sites, the film grossed an estimated $9 million, $8 million of which was from 870 sites in Russia, making it the number one film there.^[80] The film grossed $9.4 million from its second weekend in overseas markets.^[81]

The film was the twentieth highest-grossing film of 2010.^[82]

Critical response[edit]

The film was panned by critics and fans of the animated series. The review aggregation website Rotten Tomatoes gives the film a 5% approval rating based on 188 reviews with an average rating of 2.8/10, making it the lowest-rated film ever produced by Nickelodeon Movies, and Shyamalan's worst-reviewed film to date.^[83] The critics' consensus reads, 'The Last Airbender squanders its popular source material with incomprehensible plotting, horrible acting, and detached joyless direction.'^[84] On Metacritic which gives a weighted average score based on reviews from the top mainstream critics, it has an average score of 20 out of 100, based on 33 reviews, indicating 'generally unfavorable reviews'.^[85]CinemaScore polls reported that the average grade moviegoers gave the film was 'C' on an A+ to F scale.^[86]

Liam Lacey of The Globe and Mail stated the film had little chance to develop its characters and therefore suffered, with the overall storyline of the film becoming a run-on narrative.^[87] According to Owen Gleiberman from Entertainment Weekly, who gave the film a C, 'The Last Airbender keeps throwing things at you, but its final effect is, in every way, flat.'^[88]Roger Ebert of the Chicago Sun-Times gave the film half a star in his review, stating that it 'bores and alienates its audiences,' and notes the poor use of 3D among the film's faults.^[89] Keith Phipps of The A.V. Club gave the film an F, criticizing the performances of the child actors, overuse of exposition, and shoehorned 3D special effects, calling it the worst summer blockbuster of 2010.^[90] Kirk Honeycutt of The Hollywood Reporter said that the lack of correct casting caused the film to lose substantial credibility in regard to its source material, but did praise the casting and acting of Noah Ringer as Aang.^[91] Peter Debruge of Variety criticized the casting and the score, saying that the overall effect of each play into making the film a bore.^[92]Rifftrax put the film at number 5 of The top 10 Worst Movies of All Time, saying 'We CAN state for the record that it is quite easy to detest this movie even if you've never seen a frame of the TV show.' ^[93]

—Roger Ebert, Sun Times^[89]

Charlie Jane Anders in the review by io9 criticized 'the personality-free hero, the nonsensical plot twists, the CG clutter, the bland romance, the new-age pablum..', concluding that 'Shyamalan's true achievement in this film is that he takes a thrilling cult TV series, Avatar: The Last Airbender, and he systematically leeches all the personality and soul out of it – in order to create something generic enough to serve as a universal spoof of every epic, ever.'^[94] Anders summarized the experience of watching the film by stating that, 'Actually, my exact words when I walked out of this film were, 'Wow, this makes Dragonball Evolution look like a masterpiece.'^[94]Ain't It Cool News' review questioned why Shyamalan was allowed to write the script, as well as why he was even chosen to direct such a high-profile film after a string of previous flops: 'Burdened by [a] never-ending onslaught of expository dialogue awkwardly delivered by actors giving career-worst performances across the board, The Last Airbender is so outrageously bad it's a wonder it ever got before cameras.'^[95]

Scott Bowles of USA Today gave a generally favorable review, claiming that Shyamalan delivered on fight scenes and the film worked as a kid's film, although he also added that poor scriptwriting made some of the performances sound wooden.^[96] Another favorable review came from Stephanie Zacharek of MovieLine, who praises the way Shyamalan captures the art of action and human motion.^[97] David Roark of Relevant Magazine accused other critics of having a bias against Shyamalan and gave the film a positive review, stating that its visuals and heart far outweighed the clunky plotting and 'awful' dialogue.^[98]

Peter Bradshaw of The Guardian noted an unfortunate linguistic problem that reduced British viewers to 'a state of nervous collapse' due to laughter. In British English, 'bent' is a slang term for gay, with 'bender' meaning a gay man, giving an entirely different meaning to lines such as, 'I could tell at once that you were a bender.' Bradshaw commented that the response from the audience to such lines was 'deafeningly immature' and would 'inevitably be repeated in every cinema in the land showing The Last Airbender.' Bradshaw expresses his amazement that Shyamalan has managed to make a film worse than Lady in the Water or The Happening.^[99]

Creators' responses[edit]

In an interview with Dante Basco, the original voice of Prince Zuko, when he was asked what he thought of the Last Airbender film, he responded by saying that the show's creators, Bryan Konietzko and Michael Dante DiMartino, told him not to see it.^[100]

Konietzo and DiMartino have stated that they would like to pretend the film does not exist.^[101] They said that project was given the go-ahead without their approval, and when they tried to provide input it was ignored.^[102]

Director's responses[edit]

In a Vulture interview, Shyamalan argued that his style and art-form of storytelling resulted in the negative reviews of the film and compared it to asking a painter to change to a different style: 'I bring as much integrity to the table as humanly possible. It must be a language thing, in terms of a particular accent, a storytelling accent. I can only see it this certain way and I don't know how to think in another language. I think these are exactly the visions that are in my head, so I don't know how to adjust it without being me.'^[103]

Shyamalan also addressed criticisms about the barely 90 minute runtime of the film, which was considered bizarre given that it had to condense a 20-episode TV season into one film, and is a far shorter runtime than is typical for summer blockbusters. Shyamalan's response was that all of his previous films were 90 minutes, because they were small-scale supernatural thrillers, and as a result his instinct for the pacing of the film was to edit it down to 90 minutes. This short runtime indirectly led to several other problems which multiple critics listed above objected to: characters frequently resort to giving long speeches of exposition to summarize entire scenes that were cut for time, and a running voiceover commentary by Katara was added in which she summarizes entire subplots (e.g. Sokka's relationship with Yue) that barely appear on screen.^[103]

When Shyamalan gave the Ashok C. Sani Distinguished Scholar-in-Residence lecture at NYU’s Stern School of Business on April 16, 2019, he revealed that he regretted accepting the directing gigs on The Last Airbender and 2013's After Earth. “I did a couple huge, big-budget CGI movies,” he said. “There has always been this inexorable pull to join the group, a constant seduction in the form of whatever you want to tally, in the form of money, or safety, ease, not getting criticized. I did these movies, and I rightfully got crushed, because they rightfully said, ‘You don’t believe in yourself, you don’t believe in your own voice, and in you don’t believe in your values.’ I felt really lost. It just didn’t work. There’s probably something Darwinian about all this.” When Shyamalan went on to make The Visit, he made the decision to begin investing in his own productions. “I pay for my movies now,” he said. “After this 10-year period of working at studios on junk movies, I was not happy.”^[104]

Awards and nominations[edit]

The Last Airbender received nine nominations at the 31st Golden Raspberry Awards including Worst Picture.^[105] The film went on to sweep the Razzies with five awards: Worst Picture, Worst Director (Shyamalan), Worst Screenplay (Shyamalan), Worst Supporting Actor (Jackson Rathbone), and a special award, 'Worst Eye-Gouging Mis-Use of 3D.'^{[106][12][13]}

Cancelled sequels[edit]

Shyamalan or Paramount/Nickelodeon did not immediately confirm the 'go-ahead' or whether the plug will be pulled on the trilogy.^{[108][109][110]} While filming The Last Airbender, Shyamalan mapped out a rough draft for a second film that is 'darker' and includes Azula, portrayed by Summer Bishil, as the main antagonist.^[108] In a July 2010 interview with New York Magazine, Shyamalan commented 'In the next few months we'll be able to know whether we have that opportunity or not' when asked about the sequel.^[109] No such announcement was made, and in a September 2010 interview when asked if he knew when the sequel will be made, he replied, 'I don't, because there are so many factors they take into account', adding, 'I guess it will get into an area where it becomes a discussion – like pros and cons.'^[111][112] In September 2015, Shyamalan told Metro UK that he may work on the sequel after completing his next thriller,^[113] which was supposed to start shooting in November 2015.^[114]

In October 2018, an unrelated live-action remake of the original Avatar: The Last Airbender for Netflix was announced, effectively cancelling any lingering chances of a possible sequel.^[115]

See also[edit]

References[edit]

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External links[edit]

• The Last Airbender on IMDb
• The Last Airbender at Box Office Mojo
• The Last Airbender at Rotten Tomatoes
• The Last Airbender at Metacritic
• Ba Gua Demonstration representing style used for Air Nation characters on YouTube.